the ten most things that want to speak

 
the garden below my feet.   you make me more glad.

the wind that tattered itself through a poem.

what arrives and what departs?   ferryboats.

even the mere memory, voice transposed.   you, my family.

coming from the same, going to the same.   one path, isn’t it?

oh the sun, the sun, it has richer vocabulary than I words.

I think I need to meditate all over now, differently.

change says, you don’t really know me at all.

no malady exists without a life.   smile my dear.

sweet heaven is undiminished by my sight.

writing with a dull pencil

Breathing.

No cleverness here or now. Meaning me.

We’ll let hesitate what I’m doing here. Maybe I’ll even understand myself. Raw. That’s the fence between here and me.

I’m remembering a re-expression of an old John Denver song, “All this Joy”, that came to me. The answer to pain is love.

There’s a duet in process there. But focus of late is elusive. Fewer words are less a choice than necessity. Shorter threads, shorter breath. Disconcerting understates my witness, my participant point of view.

Standing on my night sky balcony I have about a thirty second view of the ferryboats crossing the Sound. Some many lights in motion, or even the day white hull reflecting a blue sky sun. Beautiful. Lips curve into a smile. But most days the cloudy air is cold. Left hand says the colder air is more welcome to my breath, if not body in whole. From my California blood, Winters here are long and shivering.

Times I’ve said, I really have only one rule about writing poems. Tell only the truth about life. You know, don’t lie about the way it is.

I think I’ll need to approach in small bites. These impressions are a school of fish. Obvious in the whole, but none individually linger for either inspection or homesteading very long. Scattering. Elusive. Unbitten.

Alright, what’s happening, what’s the point here, today? I resist saying it seems. A blood disorder, serious, but behaving itself. But now over two months in, sinus pressure that don’t quit and an unruly heart. Standing on two feet but tire easily and simple focus, well, not a frequent companion these days. I feel trivial of a sort in the face of Very Big Life. I tell myself these are secondary issues but that’s not how they feel. I feel as a youngster staring into the unknown. Shortness of breath means more than printed text. Personal. Threatening. Even if not literally true. Emotional attitudes make their own rules about perception.

Chickens and eggs? Emotions and thoughts? Is one closer to who I am, what I am? Are they even really two? I am looking. Emotions have the impact of moving earth. Come to physical maladies, and there’s a test. What’s really true. Assurances that challenges that way bring up emotional response rather ripe. Yet thoughts remain resident too. Life speaks its own language in a variable sense of real. For me, there’s a Christian real and a Buddhist real, each a contribution to understanding.

One medical issue, a shortness of breath gets the lions share of attention these many days. Fragile. Fragile. A matter of scale. Temporary (we mostly think otherwise, don’t we… really). Dying is simply going home. My breath is already in the air. Years worth. I am the Sun and the Light and the wind and rain, the trees and leaves, (and paper too), everything that eats and moves and sees the sky. Leaving is not what it seems. Sleep. And sleep neither is what it seems. Things are astir. And I don’t want to leave this living Life. Honest. Knowing you means my life to me. Seeing you is my joy. Didn’t live most of my time within that blessed point of view. I do now.

Forgive my stubbornness. I mean to be more kind than I have.

By this writing venue I want to say deepening thanks to all who’ve contributed and supported my expressions here. You who’ve read and gifted back your attention. Your good care is appreciated.

I don’t know tomorrows face. Writing has mostly of late required more focus than seems my companion here. But you are in mind and I’ll do what I can to continue. Even not knowing what. Or maybe how.

I want to be visible, more visible. I want to say my appreciations. My gratitude. Anything else would be a lie. May we receive what is given us.

I pray healing for you for whatever wants healing in your life. May these words be healing by unspoken nature. As it is, so be it.

Sing your Songs. We listen.

A sigh is still a breath, I suppose. (Thank you Ren) Love, Neil

unexpectedly

 
an essay disguised as journal, more prose than poem,
         but you decide.   and are thus forewarned.

 
 
sunlight this morning was nearly tumbling.   nearly startling.

waves splashing on shoreline rocks.   wild.   like that.

as a child I recall how there, close up beside those rocks,
the waves would crash and climb, climb up closer to me.
how that frightened me into wanting feather wings.

some words now frighten me.   no, not words, it’s the
thoughts beneath.   the more I look, thoughts and feelings
begin being the same.   look for brightness.   resolved.
         I try.

yet, new life within every change.   made new again.
         unexpectedly.
 
 
one rule:   wear clean socks.   or no socks at all.
 
 
nothing and everything, that’s how this story begins.

is nothing just what we don’t yet have the sense to know?

there is more nothing than the stuff we recognize.   nothing
is what stuff moves through.   redressing our relationships.
         no nothing, no movement otherwise.
 
 
be the sailor who knows the sea within which we float.
         is it float, or is it swim?   I don’t know.
 
 
and it’s more than language at fault.
the only way we have to describe nothing is by what it is not.

even that name itself, we say “no thing”, thus described using
our own “some thing” way of sensing anything.   what it isn’t.
         nothing might be anything possible that isn’t
         now, isn’t here.   possible.
 
 
         @

randomly, in either hand.   is reason a mask?

so who first?   who to trust?   you know.   chicken or egg?

thus feeling or thought?   which is parent?   which is child?
yet why need there be a first?

is our universe not big enough to be simultaneous?
 
 
         @

where does passion linger for you?

I love the pen, my fingers doing scrimshaw ink on paper.
I love the labor to keep scribbles on the page, inside their
lines, not taking flight into a greater arc of wilding hand.

I love the crossings out, the new words added in.   the lines
and arrows directing language about the page.

         I love the listening,   where it begins.

and you?   where does your compass lean?
describe your living map.   use hands.   draw.
 
 
         @

lately I’ve told myself I’m thinking too much about death.
about not being here any more.   but no.   wrong.
         I’m thinking about living.
         better eyes, better ears, better feet.   better heart.

an obsession?   possibly.   but isn’t that a right devotion
to embrace?
 
 
         @

are we afraid of being nothing?   am I?

we are matter.   we always will be.   maybe energy, but
that’s matter too.   Einstein says.   still something, you see.
         we remain.

yet who we are does include nothing, the not-matter me,
laid out between each molecule, each atom.   more space
than matter itself we are.
         we are relationship.

existence is only because nothing and matter are married.
         neither is, without the other.
 
 
         @

there is beauty in this bonding of palms.   no confusion here.

         an autumn tree, first snow on mountain tops.
         someone you recognize walks by.   smile.
         a difference of only timely scale.
 
 
 
so, what does this all mean to me?
see the threads cast about.   a fish in water.   then two.

when we touch it feels like Spring to me.
 
 
 

Correction “nothing much”

Says the Scarecrow, alright, if I only had a brain!

Numbers especially seldom draw much attention from me.

Thus this correction to the prior poem, nothing much.
The year was 2001, not 2011. Big enough difference!

Also, since already there, I’ve added one more line,
fifth from the last. An orphan who wanted home.

Apologies for the changes. neil

nothing much

 
 
when nothing comes, it’s an inhalation.   drink.

nothing is the sea within which we are afloat.

         bubbles, perhaps?
 
 
says the autumn trees,
back to bones.   again.   and the way we started,
         a simple spinal chord.

hidden inside is how I feel.   word by word.
 
 
 
spaces are as much the music as are the notes.
no space,   no music.

everything I see is a thread.   connecting.
some come from me, some from you.
         which ones are you?
 
 
when I first flew again after the 2001 collisions,
I recall, seated by the window, as I always am,
         looking out, the silver rivers, brown hills,
         dark grown lifting mountains.

         every curve.   every lift.

         all this perfect beauty.

         I recall the thought,
if You want my life right now, I have no complaint.
         no fear.   no doubt.   only beauty.
 
 
 
can I contain that thought?   right here?   right now?
         I’ll have to let you know.
 
can I see that in your face?   just this near.
 
 
 
here’s one exercise.   practice, you know.
to all you encounter, a simple pure acknowledgement,
 
 
 
         yes
 
 
 
         repeat.   without end.
 
 
 

more

 
 
which is more vocal this morning?   rain or wind?

for all the words I write, then lift my eyes above the page,
the world I see is

         more bright
         more gestured
         more reliant
         more tender
         more vivid
         more voiced
         more intimate
         more loving

         more simply so.

oh.   look.   there’s the shadow of you.
how does that also satisfy?   it does.
         how much of you am I?

why ever turn my eyes away?   I do.
a boat on the water alone.
 
 
eager autumn blows.
this water washed world blankets us.

as night turns, faces a single white sky.
some days you are all my eyes can see.

         salvation says,

when the sun comes through a break in clouds
it feels like laughter.
 
 
 
that…   that man, he lived his life with two angels
at the foot of his bed.   always.   he was light.

came the day, came the disease, time soon to go.
he lived dying the way he always lived his life.   full.

then nearer, one day he says,
I want to live.   I don’t want to leave this place.   any of it.

another day and he remembered himself.

another day, he changed.   away.
 
 
odd?   what I most remember was that brief desire
of holding on.   out of character?   to my ears he was
the most full person he always was.

         nothing held apart.   nothing.
 
 
         more bright

         more full
 
 
 

autumn could be

 
 
it’s been a fallow season for both snails and spiders here.

green bones, white flower.

on the landing outside our upper deck door.   the last gardenia
bloom is open today.   no more after this.

this morning the world is changing.   I am changing too.

the world and me, siblings at the skin.   sensitive to touch.
        your touch    most of all.
 
 
it, is the word for everything.   our bodies.   our thirst.

is, is the word for beingness itself.   Being is.   I am.

said another way,    it is.
 
 
Like a rule:   you go where your attention goes.
        unless it finds you first.
 
 
uncertainty, by another name is openness.   means
past is not projected as future sight.

        open and close.

heart moves breath,  open close  open close
 
 
he asked me if it was, the small red cover notebook
bundled with other folded sheets between pages, here
beside me on the bench, asked if it was my bible?

No.   Something else, my reply.

then a moment more.   I wonder, is it?
just first cast poem scratches.   is it my bible?   is it?

        if it is,    it also is – undone.    doing, always.

in these words there’s no ending here.

        open   close   open   close
 
 
 
your best self lives where you don’t yet know.   anything.
 
 
 

red wagon

is there a poem hiding here?
 
 
            The world is not yet done.
 
            David Bayles & Ted Orland, Art & Fear,
            Observations on the Perils (and Rewards) of Artmaking
 
 
I brought a memory for you.   I brought it here for show and tell.
            Harmless.

Middle December it was.   About four foot tall, four blocks from home
towards Grandmother’s house.   Small farming town.   Grandmother
Janet and Great Uncle Louis.   Now you know two names.   Morning,
it wasn’t cold.   A van stops in front, man steps out with a little red
wagon in tow.   He knocks at the door.   The little red wagon goes
inside into Grandmother’s hand.   Me a mere hundred feet away.

Oh Grandmother, is that for me?   The question was very ripe.
No, she says, for another young boy down the block.   No other
question followed.   Dare I ask again?   No, I dare not seal my fate.

You already surely know.   Just a ruse not to spoil the surprise.
To my falling wish, it worked.   For another week or two, it did.

Is it important to remember this?   I do.   Memory too, says yes.
 
 
             so what’s the closest place where judgements abound?
            myself, of course.   ripe and available.
 
            like memories?   is attending wrong to do?   thus even
            fair weather called foul.   why christen the vessel wrong?
            is there a line betwixt memory and this moment now?

                        grace says,      receive like water does gravity.
 
 
Maybe the phrase also is, tell the right truth.   Allow the story to be
what it wants to be.   How to be fooled when you’re moving in the
direction you’re supposed to be.   Understanding is a sort of booby
prize.   What you breathe inside is better truth.
 
 
Janet had an unspoken rule.   When I left her house she’d walk me
down the driveway to the street.   Then wave me off down to the
very far end of the block.   Another wave till I was gone from sight.
            Some gestures last a lifetime.

And now you know two names you didn’t before.
 
 
 
            And my wish for you.

That little red wagon, that’s for you.

See me waving.
 
 

the best part of writing a poem

 
 
is it pen and fingers mapping a paper path?
how it begins.   thought becomes body now.
broad blue swaths of ink.   like rivers do.
folding in quarters.   a pocket next.   patience
while words arrive.   water on thirsty skin.
 
 
listening.      then.         what does it say?
 
 
then doubts.   then uncertainty.   knowing the
faces inside.   some speak.   some are fish.
            dare speak aloud?
 
            does it quench?
the thing about reality is.      it is reliable.
blessing when right words gather close.
 
 
 
            because
 
the best part of writing a poem         is letting go.